Dinosaur 13

Dinosaur 13I just watched a very interesting documentary on Netflix called Dinosaur 13. Now, basically, I’m a big overgrown kid who never outgrew that dreaded “Dinosaur Phase” that most little boys (and some girls) go through (although, for my own niece, it was, and still is, sharks). So I’ll pretty much watch anything about dinosaurs (and, yes, I own all of the Jurassic Park movies, even the embarrassingly forgettable Jurassic Park III).

The document is about the discovery of “Sue,” a large Tyrannosaurus Rex skeleton, by Peter Larson and a team of well-organized fossil hunters in 1990. At the time of its discovery, it was the largest and most complete T-Rex skeleton ever found. It was also only the 13th T-Rex skeleton ever found.

I certainly remember hearing about Sue in the news every once in a while during the 90’s. I knew that Sue was a superb T-Rex skeleton and that there was a fight over its ownership. But that’s about all I knew. I wasn’t conversant with any of the details.

Rex AppealWhoa. Let me tell you, the documentary covers all of that. It’s one of those tales that, if it weren’t true, it would be hard to believe it if you read about in a novel. It covers the way Sue was found, providing a fascinating view of the field of paleontology. It then segues into the realms go politics, the legal problems associated with fossil hunting and some truly crazy stuff.

It’s a riveting documentary, and highly worth watching. The producers also do their level best to show all sides fairly. Although, I still think by the end, if you’re like me, you’ll have definite opinions on who you think the bad guys are.

The documentary is based on the non-fiction book: Rex Appeal, by Peter Larson and Kristin Donnan, both of whom appear in the documentary. The subtitle is priceless, too: “The Amazing Story of Sue, the Dinosaur that Changed Science, the Law, and My Life.”

I ordered the book (from Amazon) immediately after I watched the documentary, but I haven’t had a chance to read it yet.

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Reliquary: Coming Soon

Reliquary - An Anthology of Stories about RelicsSigh. I have a story called “Road Trip” in the upcoming anthology, Reliquary. The anthology publication has been delayed until November; it had originally been targeted for May. The anthology is edited by S. C. Megale and is being produced by my primary writing group, the Loudoun Science Fiction and Fantasy Writers. Unsurprisingly, I’m also involved in the production end of things (mostly the ebook production).

I chalk most of the delays up to: 1) the cat herding necessary to get all of the stories in, 2) the complexity of the work (100K words with full wraparound cover, fancy typography, sophisticated interior design, illustrations, etc.), 3) the learning curve the production team had to climb for both the print and ebook editions, 4) two, yes, two rounds of copyedits, and 5) learning the hard way why contracts are necessary.

On the other hand, the proofs look absolutely stunning.

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Micro Fiction Workshop at Capclave 2016

I attended the Micro Fiction Workshop at Capclave 2016 on a whim. Here’s the description from the program:

Micro Fiction Workshop
Coordinator: Dustin Blottenberger, Deidre Dykes (M), Brigitte Winter
Micro Fiction, a subset of flash fiction, are stories of 300 words or less. Learn how these word count restrictions force writers to boil stories down to their most powerful core elements. You will create micro fiction pieces through a series of exercises, learn about exciting markets for tiny stories and discuss how micro fiction can be a useful tool for deepening your writing skills.
Limited to 15 people.

Now, flash fiction isn’t something you can make a living at. And micro fiction, well, ditto. But what the heck? I figured at least it would be two hours of writing practice that would exercise literary muscles that I didn’t always use.

I was pleased to discover that Dustin, Deidre and Brigitte had put together an excellent workshop with well-organized content and useful exercises. Even better, the final exercise was to write a 101-word Halloween story (that’s 100 words plus a 1-word title). I ended up with what I thought was a rather nifty Halloween story with a killer last line…and a market to send it to. Next Saturday (10/15/2016) is the deadline for the Halloween “issue” of 101Fiction.com.

I’ll be submitting my story as soon as I complete some minor polishing.

Meanwhile, here’s the selfie that Dustin took at the end of the workshop:

Micro Fiction Workshop at Capclave 2016     Photo Credit: Dustin Blottenberger

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Capclave 2016

Capclave 2016: Science Fiction and Fantasy Literary Convention Capclave is the Washington area’s premier literary SF and Fantasy convention, hosted each year by the Washington Science Fiction Association (WSFA). I had a great time at Capclave, as always (it’s my fourth time), but especially from the business perspective of a burgeoning writer.

I was here with Marty Wilsey, a fellow member of my primary writing group, who was here to promote his indie-published military SF trilogy, the Solstice 31 Saga (it’s doing very well, by the way). I’m also on the verge of significant publication myself, with one of my novelettes due to appear this month in an anthology called Reliquary and another one about to be indie-published as soon as I can work out the cover issues with my cover designer.

From the business perspective, here’s what went really well:

  • Cathy Green, Capclave 2017’s Programming Chair, asked me to do a workshop for Capclave 2017. I’ve previously done workshops at Capclave 2014 and 2015.
  • I got to discuss the Reliquary anthology with the production team.
  • I got to discuss a future anthology, possibly two anthologies, that I’m putting together for publication next year.
  • I attended a workshop on “Book Design” put on by Danielle Ackley-McPhail, an industry professional who has successfully published many anthologies, including the highly amusing Bad-Ass Faeries series.
  • I networked with people who can help me promote my indie-published works.
  • I got to talk craft and business with other writers…who treated me as the professional writer that I believe I’m becoming.
  • I attended the “Microfiction Workshop” conducted by Dustin Blottenberger, Deidre Dykes and Brigitte Winter. I ended up with what I think is a publishable 101-word Halloween story and a venue to which to submit it.

In addition to workshops, I attended a number of great panels. One thing that was gratifying, and isn’t always experienced at cons, is that all of the moderators quite obviously spent time to both prepare for their panels and ensure that the content was suitable for the people likely to attend, i.e. – if the topic was aimed at writers then they made sure there was useful information for writers.

As both a writer and a fan, it was great conference and I look forward to attending again in 2017.

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