Micro Fiction Workshop at Capclave 2016

I attended the Micro Fiction Workshop at Capclave 2016 on a whim. Here’s the description from the program:

Micro Fiction Workshop
Coordinator: Dustin Blottenberger, Deidre Dykes (M), Brigitte Winter
Micro Fiction, a subset of flash fiction, are stories of 300 words or less. Learn how these word count restrictions force writers to boil stories down to their most powerful core elements. You will create micro fiction pieces through a series of exercises, learn about exciting markets for tiny stories and discuss how micro fiction can be a useful tool for deepening your writing skills.
Limited to 15 people.

Now, flash fiction isn’t something you can make a living at. And micro fiction, well, ditto. But what the heck? I figured at least it would be two hours of writing practice that would exercise literary muscles that I didn’t always use.

I was pleased to discover that Dustin, Deidre and Brigitte had put together an excellent workshop with well-organized content and useful exercises. Even better, the final exercise was to write a 101-word Halloween story (that’s 100 words plus a 1-word title). I ended up with what I thought was a rather nifty Halloween story with a killer last line…and a market to send it to. Next Saturday (10/15/2016) is the deadline for the Halloween “issue” of 101Fiction.com.

I’ll be submitting my story as soon as I complete some minor polishing.

Meanwhile, here’s the selfie that Dustin took at the end of the workshop:

Micro Fiction Workshop at Capclave 2016     Photo Credit: Dustin Blottenberger

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Capclave 2016

Capclave 2016: Science Fiction and Fantasy Literary Convention Capclave is the Washington area’s premier literary SF and Fantasy convention, hosted each year by the Washington Science Fiction Association (WSFA). I had a great time at Capclave, as always (it’s my fourth time), but especially from the business perspective of a burgeoning writer.

I was here with Marty Wilsey, a fellow member of my primary writing group, who was here to promote his indie-published military SF trilogy, the Solstice 31 Saga (it’s doing very well, by the way). I’m also on the verge of significant publication myself, with one of my novelettes due to appear this month in an anthology called Reliquary and another one about to be indie-published as soon as I can work out the cover issues with my cover designer.

From the business perspective, here’s what went really well:

  • Cathy Green, Capclave 2017’s Programming Chair, asked me to do a workshop for Capclave 2017. I’ve previously done workshops at Capclave 2014 and 2015.
  • I got to discuss the Reliquary anthology with the production team.
  • I got to discuss a future anthology, possibly two anthologies, that I’m putting together for publication next year.
  • I attended a workshop on “Book Design” put on by Danielle Ackley-McPhail, an industry professional who has successfully published many anthologies, including the highly amusing Bad-Ass Faeries series.
  • I networked with people who can help me promote my indie-published works.
  • I got to talk craft and business with other writers…who treated me as the professional writer that I believe I’m becoming.
  • I attended the “Microfiction Workshop” conducted by Dustin Blottenberger, Deidre Dykes and Brigitte Winter. I ended up with what I think is a publishable 101-word Halloween story and a venue to which to submit it.

In addition to workshops, I attended a number of great panels. One thing that was gratifying, and isn’t always experienced at cons, is that all of the moderators quite obviously spent time to both prepare for their panels and ensure that the content was suitable for the people likely to attend, i.e. – if the topic was aimed at writers then they made sure there was useful information for writers.

As both a writer and a fan, it was great conference and I look forward to attending again in 2017.

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